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PASSIVE VS ZEN

Battle Result

Official Battle Result

Clash Summary

PASSIVE vs ZEN took place during PenGame Rap Battle 2025, on a major North vs South card with a high-profile judging panel made up of Professor Green, RD, and Big Narstie. Before the clash begins, the judges explain what they are looking for: proper bars, skill, metaphors, similes, double entendres, flows, lyrical ability, rebuttals and complete performances. Big Narstie also warns the battlers that lazy dead-relative material will lose points, making it clear that shock value alone will not be enough.

PASSIVE wins the coin toss and chooses to go first. His opening round is strong, direct and confident. He attacks ZEN’s age, appearance, nose, sideburns, sexuality, experience and battle history. PASSIVE’s main angle is that ZEN is older, washed and should not be standing across from someone younger, fresher and more current.

ZEN responds with a dense, technical round full of name flips, appearance jokes, grime-style writing and quick references. His style is more frantic, but his writing is packed with layered punches. He attacks PASSIVE’s sideburns, slim build, hat, appearance, real name and musical image.

The battle swings properly in rounds two and three. PASSIVE keeps landing clear, easy-to-understand jokes, especially around ZEN’s nose, age and Bradford accent. However, ZEN becomes stronger as the battle goes on, especially when he starts controlling the 140 tempo and turning PASSIVE’s own material back against him.

The decisive moment comes in round three when PASSIVE reveals he produced the beat for his own round. ZEN instantly flips that angle by saying he is “producing a beating,” then builds a whole deadbeat/producer scheme from it. The judges clearly see that as the turning point.

The official judgement goes to ZEN. One judge gives PASSIVE round one and ZEN rounds two and three. Professor Green gives it to ZEN for tighter writing and more intricate bars over 140. Big Narstie says PASSIVE started well, but the producer angle came at the wrong time and helped cost him the battle.

Performance Analysis

PASSIVE

PASSIVE starts the battle very well. His first round is confident, clean and easy to follow. He immediately takes the younger-versus-older angle, positioning ZEN as an ageing battler who should not be clashing someone younger and sharper. His name flips work well too. Because both “PASSIVE” and “ZEN” suggest calmness, he uses that irony to show that this battle is anything but peaceful. The line about practising Zen in the mountains before joking that he was actually getting fried in his den is one of his best early moments. PASSIVE’s second round keeps the pressure on. He attacks ZEN’s nose, accent, age, work image, pub-MC status and battle record. His material is usually clear and direct, which makes it easy for the room to catch. He is not always as intricate as ZEN, but he is more accessible. His third round is where the battle starts to slip away. PASSIVE says he produced the beat, which should have been a flex, but it gives ZEN the perfect angle to flip back at him. PASSIVE still has good lines in the third, including the Mo Salah comparison, Angry Birds eyebrow bar and Don’t Flop/PenGame pet angle, but ZEN’s response overshadows it. PASSIVE’s strength is clarity. His weakness in this battle is timing. He starts strong enough to take the first round, but ZEN adapts better and wins the later rounds.

Lyrical Themes: age gap, ZEN’s nose, sideburns, old-man image, Bradford accent, pub MC vs playlist MC, name flips, producer flex, Don’t Flop/PenGame status, Mo Salah, Angry Birds, Jobcentre/Rehab.

ZEN

ZEN wins through technical density, flow control and stronger adaptation. His first round is packed with writing, even if some of it is harder to catch on first listen. He attacks PASSIVE’s appearance, sideburns, hat, slim build and name, while using references to Central Cee, Dappy from N-Dubz, Spider, Jacob’s Crackers and more. His second round is stronger and more controlled. ZEN frames the battle as teacher versus student, which gives the round a clear theme. He attacks PASSIVE’s size, ears, whiteness, nose, hat, beard and overall look with references to E.T., Dumbo, Ice Age and a lamppost. This is where his writing begins to feel tighter than PASSIVE’s. His third round wins the battle. PASSIVE says he produced the beat, and ZEN immediately turns it into the “producing a beating” angle. He then builds from that into deadbeat father wordplay, producer schemes, Medusa, Andrew Tate, Philip Schofield, Erling Haaland, South Park and mastering/mixing references. It is not just one punch — it becomes a whole run. ZEN’s biggest strength is intricacy. His bars have more layers, and the judges reward that. His weakness is that he can be too gassed and frantic, which Big Narstie points out, but the technical quality carries him.

Lyrical Themes: teacher vs student, 140/grime control, PASSIVE’s sideburns, real name, hat, nose, producer/deadbeat flips, E.T., Dumbo, Ice Age, Medusa, Andrew Tate, Philip Schofield, Erling Haaland, South Park, mastering/mixing.

Key Technical Highlights

PASSIVE

Best round

Round one.

Strongest trait

Clear, direct punches.

Best angle

Younger battler proving he is already better than the older, more experienced ZEN.

Best name flip

PASSIVE and ZEN both suggesting calmness, despite the battle being aggressive.

Main weakness

The producer/beat flex in round three gave ZEN a perfect rebuttal lane.

ZEN

Best round

Round three.

Strongest trait

Dense writing and technical punchlines.

Best tactical move

Flipping PASSIVE’s own producer angle into “producing a beating.”

Best judging factor

Tighter writing over 140.

Battle-winning factor

Stronger rounds two and three.

Indexed Bars & Breakdown

PASSIVE

"You’re a nice guy, I’m not pissing you off. We can still be mates after you take the loss."

PASSIVE starts with controlled disrespect. He makes ZEN sound harmless and likeable, but still beatable. It gives the opening a relaxed confidence instead of coming in too forced.

"While you were practising Zen, I was practising Zen in the mountain, chilling with Buddhas and wise men."

This is one of PASSIVE’s best name flips. ZEN’s name links to meditation, calmness and Buddhist imagery, so PASSIVE turns that into a full setup. He then undercuts it by joking that he was actually getting fried in his den, making the bar both clever and funny.

"I’m double the skill and double the bars and double the swag, but I’m half of your age."

This is the main theme of PASSIVE’s first round. He uses the age gap against ZEN, saying even though he is younger, he has more ability, more style and more current appeal. It is direct and effective.

"Step back cause your nose takes space on the stage."

PASSIVE repeatedly attacks ZEN’s nose, and this is one of the clearest visual punches. It works because it is simple and easy for the crowd to picture. In battle rap, strong visual jokes can land harder than complex writing.

"PASSIVE and ZEN? We’re meant to be calm, but I had to just prove that I’m better than you are."

This is another strong name-based punch. Both names suggest peace or calmness, but PASSIVE flips that by saying the battle forced him to show aggression. It is tailored to both battlers.

"You’ve had more battles than me. I’ve only had three. They still put you beside me."

PASSIVE uses ZEN’s experience against him. The point is that ZEN has battled far more, but PenGame still sees PASSIVE as good enough to stand beside him. It makes PASSIVE look like the rising talent and ZEN like the older battler being caught up.

"If you saw the way I was searching for Zen, you’d be the fool — I was trying to find peace."

This is a clever double meaning. “Searching for Zen” means looking for the opponent, but also looking for peace. PASSIVE turns ZEN’s name into a concept and uses it as wordplay.

"You can fit sliding doors in your nose, is that why you got keys in your nostril?"

This extends the nose angle into a full image. Sliding doors and keys both connect to buildings and entryways, so PASSIVE exaggerates ZEN’s nose as if it is big enough to be a front entrance. It is childish, but funny and effective.

"He’s a pub MC, I’m a playlist one."

PASSIVE contrasts ZEN’s style with his own. A “pub MC” suggests someone who can perform locally but does not have replay value, while a “playlist one” suggests music people actually choose to listen to. It is a clean status angle.

"How can you say I’m not strong? I just spent three battles carrying GRAMS."

This is a PenGame-aware bar. “Carrying” means doing the heavy lifting, and GRAMS also links to weight. PASSIVE uses his battle history to argue that he has already proven strength by carrying previous situations.

"You’re not able, you’re not stable, like a stable held together with staples."

This is a clean wordplay chain. Able, stable, stable and staples all connect through sound and meaning. It is not the deepest personal, but it shows PASSIVE’s ability to build patterns.

"For this third round, I produced it."

This was meant to be a flex. PASSIVE is showing that he is not just a rapper — he can also produce beats. The problem is that ZEN uses this as the exact opening for his third-round attack, which becomes the main reason the judges give ZEN the battle.

"I made the beat, I’m a musical G."

PASSIVE doubles down on the producer angle. On paper, this shows range and musicianship. In battle terms, though, it gives ZEN a clear angle to attack, because ZEN can now flip “beats” into “beating” and “deadbeats.”

"You’re battling me to make me look good, cause he’s Don’t Flop’s bitch and PenGame’s pet."

PASSIVE attacks ZEN’s position in the UK battle scene. Don’t Flop is a major UK battle league, and PenGame is the current platform. PASSIVE suggests ZEN is being used by platforms rather than standing as an independent threat.

ZEN

"One of my names, the Grandmaster Mike Man’s one of my names."

ZEN opens by giving himself title after title. “Grandmaster” suggests old-school hip-hop authority and skill. It frames ZEN as the more experienced, more established MC.

"PenGame champ, that’s one of my names."

ZEN claims champion status early. That matters because PASSIVE’s main angle is that he is the younger, better battler. ZEN answers that by reminding the room he has already achieved status.

"This brother’s looking like Central Cee’s cig."

This references Central Cee, one of the biggest UK rap artists. ZEN uses the image to make PASSIVE look thin, pale or fragile. It is a quick visual punch.

"At first glance, he’s looking like Dappy from N-Dubz."

This references Dappy, the rapper/singer from N-Dubz, known for a distinctive look and hat style. ZEN uses it to attack PASSIVE’s appearance and fashion, especially because PASSIVE is often seen wearing a hat.

"This skinny cunt’s built like a garden rake."

This is a simple body-image punch. A garden rake is long and thin, so ZEN uses it to mock PASSIVE’s build. It is direct and visual.

"He’s got a track called Spider…"

ZEN uses PASSIVE’s own music against him. By referencing a track called “Spider,” he turns PASSIVE’s catalogue into battle material. This is effective because it shows research and makes the attack feel tailored.

"You’ve never been no Afrobeat, but your name should’ve been Sideburn Boy."

This appears to flip Burna Boy, the Afrobeats artist, into “Sideburn Boy.” ZEN uses PASSIVE’s sideburns as the main visual insult. It is a music-reference punch tailored to his opponent’s appearance.

"Learnt your real name’s Jacob, think you can merk me? Now I’m Lord Jacob’s Crackers."

This references Jacob’s Crackers, the well-known cracker brand. ZEN flips PASSIVE’s real name into a product reference. It is a clean name-flip because the joke depends on personal information.

"Teacher versus the student right now."

This becomes the theme of ZEN’s second round. He presents himself as the teacher and PASSIVE as the student. It fits the judges’ later comments that ZEN sounded tighter and more advanced.

"Coming like it’s ICT, I bring a tooling."

This continues the school theme. ICT refers to school computer lessons, while “tooling” can mean weaponry in street slang. ZEN mixes classroom imagery with threat language.

"Now he’s looking like the white E.T."

This references E.T., the alien from the famous film. ZEN uses it as an appearance joke aimed at PASSIVE’s look, head shape or build. It is clear and easy for the room to picture.

"P-A-S-S-I-V-E, you’d be better off calling him the one-flow Dumbo."

ZEN flips PASSIVE’s name and adds a Dumbo reference. Dumbo is the Disney elephant known for huge ears, so the bar attacks both PASSIVE’s flow and appearance. “One-flow” suggests PASSIVE lacks variety.

"Yeah, the guy’s white, but the guy’s whiter than most. You can rap white, but there’s bare white in your nose."

ZEN builds a “white” scheme using race, appearance and drug imagery. The “white in your nose” line is a cocaine allegation-style punch and should be treated as battle material, not fact. Technically, the scheme works because the same word shifts meaning.

"Has anybody here seen Ice Age? Without the hat, you’d be looking like Sid with a wig."

This references Sid the Sloth from Ice Age. ZEN uses it to mock PASSIVE’s face and hat. It is one of the clearest visual jokes in the battle.

"Just cause a brother’s got a neck like a lamppost, don’t mean that he’s gonna light up a street."

This is one of ZEN’s best appearance punches. He says PASSIVE has a long neck like a lamppost, but still does not “light up” anything, meaning he lacks star quality or real impact.

"Right now, Zen, I’m producing a beating."

This is the battle-winning flip. PASSIVE says he produced his third-round beat, and ZEN immediately turns “producing” into “producing a beating.” The judges specifically point to this type of reversal as the reason ZEN took the later rounds.

"It’s ironic that you make dead beats — turns out that your dad was a deadbeat too."

This is the strongest extension of the producer flip. “Dead beats” means bad instrumentals, while “deadbeat dad” means an absent or irresponsible father. It is personal allegation-style material and should be archived carefully, but as wordplay it is sharp.

"You must have been stoned, let’s see if you got the sight of Medusa."

This references Medusa from Greek mythology, whose gaze turns people to stone. ZEN connects “stoned” as drug use with literally being turned to stone. It is a clever mythological flip.

"Stop doing music bits, now he’s with kids like Philip Schofield."

This references Philip Schofield, the British TV presenter involved in a major public scandal. It is a serious allegation-style comparison and should be treated as battle material, not fact. ZEN uses it to attack PASSIVE’s character through a controversial public reference.

"He looks like a gremlin and he’s imitating Devlin."

This references Devlin, the UK rapper known for grime and rap. ZEN says PASSIVE is copying or imitating that kind of style rather than being original. It also adds an appearance insult with “gremlin.”

"Ex-girl looking like Erling Haaland, new girl looking like Haaland again."

This references Erling Haaland, the Manchester City striker known for his recognisable look. ZEN uses it to mock PASSIVE’s choice in women by saying both his ex and current girl resemble Haaland. It is a football/pop-culture appearance joke.

"I heard your girlfriend mouth stunk, so I put the kid in the South Park like Cartman."

This references Cartman from South Park. ZEN uses the name for a crude sexual/relationship punch. It is offensive, but the reference is recognisable and fits his third-round shock style.

"Might do bits when you master the mix, but you ain’t gonna win in a mix with a master."

This is a strong closer because it ties back to PASSIVE’s producer angle. “Master the mix” is audio-production language, while “a master” refers to ZEN positioning himself as the superior MC. It closes the producer scheme cleanly.

Battle Stats

Date01-01-2025
Views535K
LeagueSeason 5 (2024 Battles)
Judges
Professor GreenRDBig Narstie