Regional angle
"ESS2MAD, I heard that you come from the Bumtown district."
iiiBEREALZ opens with a Birmingham insult, flipping “Brumtown” into “Bumtown” to make ESS2MAD’s city part of the attack.
Debut match
"On your debut, and you’ve got iiiBEREALZ, brother, it’s too mad."
A clean opener. He says ESS2MAD’s first PenGame test is already too much for him.
Music catalogue attack
"Could you tell me which girl broke your heart? Because I heard your songs."
He attacks ESS2MAD’s music catalogue, framing it as emotional, soft and unimpressive.
Music quality
"Bedroom, about love — they’re all shit."
A blunt music-quality punch. iiiBEREALZ says ESS2MAD’s songs do not translate into battle credibility.
Platform distinction
"You’re an artist, but on PenGame now you’re a target."
A strong platform distinction. Being a recording artist does not protect him in a battle setting.
Views legitimacy
"Three million views, who paying?"
iiiBEREALZ questions the legitimacy or value of ESS2MAD’s numbers.
Direct punch
"The song’s dead, I’m not playing."
Direct and easy for the room: views do not mean the song is good.
Social media punchline
"You’re the TikTok wish we swipe it away."
A social-media punchline. ESS2MAD is framed as disposable short-form content.
Age contrast
"Rhymes get finer with age."
iiiBEREALZ presents himself as seasoned and improving, contrasting ESS2MAD’s viral-style image.
Confidence
"Do I fear these guys? Not one of them."
A confidence bar, positioning himself above the new Season 5 names.
Threat/wordplay
"Send me your number, I’m severing heads."
A violent wordplay line, turning contact details into a threat.
Mum angle
"These brothers don’t want to pronounce it. I bet she’ll announce it."
A callback to people struggling with his real name, using ESS2MAD’s mum as the imagined person saying it correctly.
Spitting claim
"When I’m spitting, I’m spitting."
A direct writing-performance claim, also linking to earlier angles about his delivery.
Violence imagery
"When I finish, I rip off his bloody limbs."
Graphic battle imagery, used to make the round feel brutal.
PenGame callback
"Take his eyes, give them to DRIZZ — help him see straight."
A PenGame callback to DRIZZGB’s eye jokes. iiiBEREALZ uses another battler’s known angle as a punch.
Regional angle
"You’re both from Brum, you both died."
A Birmingham-targeted bar, tying ESS2MAD to DRIZZGB and saying both lose under PenGame pressure.
Funeral imagery
"Six feet in the earth with a bow tied."
A death/funeral image, adding polish to the threat.
Credibility attack
"It’s unknown tea, it’s looking fake to me."
A credibility attack, saying ESS2MAD’s image or information does not feel authentic.
TikTok numbers
"Couple million views off of TikTok, now you’re the shit? Drink piss."
A brutal second-round opener. iiiBEREALZ says viral attention does not equal skill.
Music longevity
"Ain’t no timeless music I’m making? My rhymes won’t live? Just dwindle."
He challenges the idea that ESS2MAD’s music has lasting value.
Album attack
"Your new album sounded shit, bro."
Simple, direct and damaging. He attacks ESS2MAD’s actual output.
Spider-Man/Venom flip
"You’re in the Spider-Man suit for your video, but I spit venom."
One of the better name/image flips. Spider-Man links to Venom, and iiiBEREALZ says his bars are the poison.
Performance credibility
"I see you read off your phone to perform a song."
A strong performance credibility attack. He says ESS2MAD cannot even perform his own music cleanly.
Levels punch
"That’s not levels."
A concise judgement line after the phone-reading angle.
Pen/weapon metaphor
"Pen be your sword that I leave in your heart."
A pen/weapon metaphor, showing iiiBEREALZ’s lyrical violence.
Appearance insult
"You look like you’re born from incest."
A harsh appearance/family insult. It lands as shock-value battle material.
Credibility/views
"You probably buy views, comments and sex."
A credibility/status punch, suggesting ESS2MAD’s numbers and image are manufactured.
Undefeated claim
"I ain’t lost one battle yet."
iiiBEREALZ claims undefeated momentum coming into the clash.
Regional insult
"You’re from Bumtown, that’s the next thing."
He returns to the regional angle, keeping Birmingham as a repeated insult.
Sentence/death flip
"I’ll put a sentence, give him death."
A writing/court/death sentence flip. His bars become the sentencing.
Music quality
"The best line? Purchase your track. The rest is wack."
iiiBEREALZ opens the third by attacking ESS2MAD’s music as commercially weak and lyrically poor.
Clout chasing
"Viral moments you seek with your bros."
A clout-chasing angle, saying ESS2MAD is chasing moments rather than building substance.
Social numbers
"Couple views and likes, so you think you’re cold."
He reduces ESS2MAD’s confidence to inflated social-media numbers.
Music dismissal
"Heard your tunes when I played them — no."
A simple but effective dismissal. The pause makes it feel colder.
Development angle
"Sounding the same four years ago."
A development angle. iiiBEREALZ says ESS2MAD has not grown musically.
Season 5 status
"Season five is mine, leave alone."
A clear status claim. He frames himself as a central figure in the new season.
Family warning
"Mention my daughter? It’s risky, Mosey."
A warning line. iiiBEREALZ marks family as a dangerous topic.
Cooking punch
"I can smell what you’re cooking is poor."
A cooking/quality punchline, saying ESS2MAD’s material lacks seasoning.
Cooking scheme
"There’s no season. I rap recipes, pepper and cleave them."
He extends the cooking scheme: no seasoning from ESS2MAD, but iiiBEREALZ brings pepper and violence.
Writing-as-weapon
"Load the bars and then aim for your mind."
A writing-as-weapon line. The target is mental, not just physical.
Name/appearance punch
"Ivy Rules, and you look like Shabba."
A self-name/status line paired with an appearance punch.
Blanks punch
"If you’re letting it bang, it’s blanks."
A strong credibility line. ESS2MAD may talk weapons, but iiiBEREALZ says there is no real impact.
Crew image
"You and your bros, you look rank."
A blunt crew-image attack.
Writing critique
"Your writing group? Dead plan."
A final writing critique, saying even if ESS2MAD has help, the output still fails.