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GRAMS VS MISSINK

Battle Result

Official Battle Result

Clash Summary

GRAMS vs MISSINK took place at a special **PenGame Rap Battle 2025** event, streamed live through **LiveJuice.tv**. The host frames the clash as a “fated attraction” battle, with the room expecting a mix of lyrical seduction, disrespect and personal tension.

GRAMS goes first.

Round one starts with GRAMS leaning heavily into attraction, lust and uncomfortable sexual humour. He says he and MISSINK could never be one, cannot “do up no fusion,” and then moves into family, drug-use, food, head, lust, bedroom and “Hadouken” imagery. His best material comes when he admits the whole thing is confusing because he can see a future when he looks at MISSINK. He gets a reload early and the crowd reacts to the awkward chemistry, but the round becomes loose and messy in places.

MISSINK responds with a much cleaner first round. She immediately rejects the attraction angle, saying she would date a Black man, but not a Black man like GRAMS. She attacks his lust, lack of money, music, image, lack of street credibility, lack of demand from women, Asda job angle, domination/submission image and his mother struggling. Her round is direct, structured and lands more cleanly than GRAMS’ opener.

Round two sees GRAMS continue with personal and sexual angles. He uses MISSINK’s real name, references her family, child, baby father, alleged drug-use around family, “Whitney” imagery, soul tattoo, Drizzy/Adonis angle, ancestors, witches and family racism. There are some direct angles, but the round still feels more scattered than controlled.

MISSINK’s second is one of her clearest rounds. She attacks GRAMS’ body, height, sexual image, breath, image, nails, sexual performance, lack of bookings, dry phone, facial hair, being led by lust and needing alcohol to have sexual access. It is harsh, direct and easy for the room to catch. The “Peperami,” “Barney,” “origami,” “calendar for bookings,” and “virgin if alcohol didn’t exist” lines make this round feel fully controlled.

Round three is where the battle becomes decisive. GRAMS begins by trying to drop the compliments and go darker, but the round collapses quickly. He stumbles, complains about the beat and mic level, and the host calls time. The room treats it as a choke or premature finish.

MISSINK then closes with her strongest round. She attacks GRAMS through prison/spoon imagery, YouTube views, Instagram clout, being easily led, shaking hands with a man involved with his girl, two seasons with no motion, frozen flow, age/Instagram angle, following 19-year-olds, lack of substance, thirst, cats, food hygiene, fumbling chances and being “a light lunch.” The room reacts strongly, and the host calls it cooking.

There is no official judging section in the transcript, but the battle is clear from the footage and round structure.

MISSINK wins by Archive Judgement.

Performance Analysis

MISSINK

MISSINK wins because she is more direct, more structured and more consistent across all three rounds. She does not get dragged into GRAMS’ lust angle; she flips it against him. Her first round immediately takes control. GRAMS tries to make the battle sexually charged, but MISSINK reframes him as desperate, unpaid, unwanted and unserious. That is the key difference: GRAMS performs attraction, MISSINK turns that attraction into evidence against him. Her second round is the cleanest technical round of the battle. The writing is simple but effective. She attacks his body, breath, sex life, image, bookings, phone, facial hair and lust. Every line stays on target. Nothing feels wasted. Her third round wins the battle clearly. GRAMS fails to complete his third properly, then MISSINK closes with a composed and damaging round. She uses views, Instagram, clout, age, thirst, cats, hygiene and emotional manipulation angles. It sounds like she has the fuller story and the stronger closing statement. MISSINK’s biggest strength is control. She keeps the battle on her terms and makes GRAMS look like he is chasing the situation rather than controlling it.

Lyrical Themes: Rejection, lust, music failure, money, Asda, domination, short king jokes, bookings, dry phone, facial hair, age angle, Instagram clout, lack of motion, cats, hygiene, light-lunch closer.

GRAMS

GRAMS has moments, especially in round one, but he loses control as the battle goes on. His first round has the most energy from him. The fusion line, “I just want Susan,” contrast/Medusa imagery, Hadouken reference and sexual tension get crowd reaction. The issue is that the round is more awkward than damaging. It feels like a performance of lust rather than a focused attack. His second round is more personal. He uses MISSINK’s name, family, child, baby father and spiritual imagery, but it does not land as cleanly. The material is darker, but it lacks structure. His third round costs him the battle. He starts to shift tone, saying the compliments no longer matter, but then stumbles and stops early. Once the host calls time, MISSINK has a clear lane to finish him. GRAMS’ biggest strength is charisma and chaotic crowd presence. His weakness here is discipline. The battle needed tighter writing and a complete third.

Lyrical Themes: Lust, fusion, family drug-use angles, food, Susan, Medusa, Hadouken, child/family angles, soul tattoo, Drizzy/Adonis, ancestors, witches, failed third round.

Key Technical Highlights

MISSINK

Best round

Round three.

Strongest trait

Directness and control.

Best angle

GRAMS being led by lust and lacking substance.

Best moment

“Ginge with the spoon” prison line.

Battle-winning factor

Completed all three rounds and closed much stronger.

GRAMS

Best round

Round one.

Strongest trait

Chaotic charisma.

Best angle

Attraction/lust tension.

Best moment

Fusion / Medusa / Hadouken section.

Battle-losing factor

Third-round collapse.

Indexed Bars & Breakdown

GRAMS

Fusion

"We can never be one. Me and you can’t do up no fusion."

GRAMS opens by saying there can be no real union between them. “Fusion” gives it an anime-style relationship image.

Lust

"I don’t love you, bitch, I just want Susan."

A crude lust-over-love line. GRAMS makes it clear the attraction is physical, not emotional.

Lust

"Even my browser knows I’m just human."

This is one of his funnier lust bars. He turns private internet behaviour into a punchline.

Attraction

"I see a future when I look at you, Inks."

A rare softer line in the round. It briefly sounds sincere before he moves back into disrespect.

Race/Appearance

"Eyes are blue, hair is red… I’m trying to have Black kids intruding."

A race/appearance/attraction line. He contrasts her features with the image of having Black children.

Appearance

"You’re like a sunset by the sea, that contrast there is mad soothing."

One of GRAMS’ cleaner descriptive lines. He turns her look into a visual image.

Medusa

"When looking at I, I’m a turn into stone."

A Medusa-style reference. Her look is framed as powerful enough to freeze him.

Street Fighter

"I’ll turn you over and give you a love-sent Hadouken."

A Street Fighter reference. Hadouken becomes a sexual punchline.

Seduction

"Talk to me bad, I might find that seducing."

This line captures the whole GRAMS approach: he turns conflict into attraction.

Confidence

"Win-win, how the fuck am I losing?"

A confidence line. GRAMS says even the battle dynamic benefits him.

Lust

"This ain’t nothing but lust, cause mixing with you might fuck up my nutrients."

He frames MISSINK as bad for him, even if he is attracted to her.

Tattoo/Soul

"Most known wearing her heart on her sleeve, why she got her soul on her chest?"

A tattoo/body-image line. It references her chest tattoo and turns it into emotional symbolism.

Attraction

"Finally got you in front of me."

GRAMS opens round two by making the battle feel personal and long-awaited.

Attraction/Rejection

"Lowkey I’m heartbroken though."

He continues the attraction/rejection theme, suggesting there is emotional tension behind the clash.

Tattoo/Soul

"Got it tatted on her chest, but I think she lost her soul in the city."

A stronger second-round image. He turns her tattoo into a lost-soul angle.

Drake/Adonis

"Why you hiding your child from the public? Why is MISSINK going on like Drizzy?"

A Drake / Adonis reference. GRAMS compares her privacy around her child to Drake hiding Adonis before the Pusha T reveal.

Spirituality

"You don’t thank God or your ancestors, you’re praying to wizards and witches."

A spiritual/religion angle. He attacks her beliefs or image as witchy/spiritual.

Hostility

"Fuck what I was saying to you, none of that don’t mean shit now."

GRAMS tries to open round three by dropping the attraction angle and going hostile.

Appearance

"Pretty face, but she dressed like a chav or a tramp."

A harsh appearance/fashion line. It starts his third-round attack, but the round does not build.

MISSINK

Rejection/Race

"Yeah, I’d date a Black man, but never a Black man like you."

MISSINK immediately rejects GRAMS’ romantic angle while flipping race and attraction back at him.

Status

"Big GRAMS more like big fan."

A clean status flip. She says GRAMS is more admirer than opponent.

Maturity

"You a sound bloke, but you ain’t no man."

A direct maturity insult. She says he may be alright as a person, but not masculine or serious enough.

Lust

"Find it gross when a boy wanna fuck so bad."

This is the core of her first-round angle. She frames his lust as desperate.

Lust

"Riddled with lust, cause you don’t get laid."

She explains his behaviour as sexual frustration.

Money

"Smoking on dust, cause you don’t get paid."

A money/drug-quality punch. He is not smoking quality weed because he lacks money.

Rejection/Violence

"Never touch this mug with a spade till I dug your grave."

A grave/digging punch. She says the only way she touches him is to bury him.

Music/Video

"Only time you had a bad bitch in your crib is when you paid her to be in your vid."

A strong music/video angle. MISSINK says any attractive woman around him is paid talent.

Music/Video

"Even then she was mid."

A brutal follow-up. Even the paid video girl was not impressive.

Music

"Your music is love."

The transcript wording is rough, but the attack is that his music is weak or unserious.

Rejection

"Ain’t wanted by the streets, ain’t wanted by a bitch."

A clean two-lane rejection bar: no street respect and no romantic demand.

Rejection

"Quit music, no one wants your shit. Same way nobody wants your dick."

A direct career/sexual rejection punch.

Credibility

"The only talent that you got is bluffing."

She attacks his credibility and skill at the same time.

Status

"Work at Asda, I’m out your budget."

A money/status bar. She says he cannot afford her level.

Submission

"He loves being dominated."

A submission/sexual dynamic attack. It fits the battle’s attraction theme.

Achievements

"Tell me what have you done?"

A simple but effective challenge. She questions his achievements.

Image

"Nobody thinks you’re bad, so drop the front."

This attacks his hard-man image.

Rejection

"Marnie, I don’t want you on me."

MISSINK opens round two by rejecting him again, making the theme consistent.

Body

"Your dick is probably as thin as Peperami."

A crude body/sexual insult. Peperami gives it a comic visual.

Height

"Shoe size six, think you should line up for Barney."

A height/childishness punch. Barney gives it a childish TV reference.

Pressure

"Could never make me fold like origami."

A clean fold/origami bar. She says he cannot pressure her.

Hygiene

"Your breath smells like you’ve been between arse cheeks."

A direct hygiene insult.

Height

"I put on six-inch heels just to look like my son."

A height joke. She says he is so short she towers over him.

Hygiene

"Look at your image, boy, your nails look grubby."

A presentation/hygiene angle.

Dating/Music

"Your phone is as dry as your calendar for bookings."

One of her cleanest second-round bars. It attacks his dating life and music career at the same time.

Social Media

"DMs, only time the boy is really cooking."

A social-media flip. He only “cooks” in DMs, not music or battle.

Dating

"Fishing for a catch, could never get the hook in."

A dating/fishing punch. GRAMS is trying but failing.

Lust

"Nothing weaker than a man that be led by his dick."

This summarises her whole angle: GRAMS’ lust makes him weak.

Alcohol

"You’d be a virgin if alcohol didn’t exist."

A brutal closer to the second round. She says alcohol is the only reason he has access to women.

Image

"Trying to roll piggy-back men like you."

MISSINK opens the third by mocking his size and physical image.

Prison

"If you went prison, I bet the guy Ginge would violate you with a spoon."

This becomes the biggest third-round reaction. It is a crude prison/spoon image and the room reacts heavily.

Status

"My debut did more views than any cash from you on YouTube."

A status/views bar. She says her debut outperformed his catalogue.

Clout

"Your most successful vid on the gram is the one of me and you."

A strong clout angle. She says his best social media moment came from being associated with her.

Career

"Two seasons of PenGame, still no motion."

A career-progress attack. GRAMS has been around but has not moved forward enough.

Flow

"Your flow’s cold, but man stay frozen."

A good balanced critique. She acknowledges his flow but says it is stuck.

Rejection

"Your best mate, my cold shoulder."

A rejection/status line. She says the closest he gets is being ignored.

Instagram/Age

"When you hit me up on the gram, my age was the first thing that you asked."

A personal Instagram angle. She uses their private interaction as battle material.

Contradiction

"You said you don’t want to follow 19-year-olds… but you followed my friend from my tag."

This is a strong contradiction angle. She says he claims one standard but acts differently.

Substance

"What’s the point in what you write if there’s no truth or substance?"

A direct pen critique. She says his writing lacks reality.

Image

"Thirsty boys like condensation when they just can’t make a splash."

A strong image. Condensation is water without impact; thirsty boys still cannot splash.

Nameflip

"Smoke GRAMS to ash, that’s a hobby, not a task."

A clean name/weed/death flip. GRAMS becomes something she smokes.

Lifestyle

"Can’t get pussy, so the guy bought cats."

A funny cat/pussy flip. It attacks his sex life and lifestyle.

Hygiene

"I wouldn’t eat what you cook for me, there’s cat hair in your food."

A hygiene/lifestyle punch.

Confidence

"Fuck what you say, you can never humble me."

A strong self-confidence line.

Opportunity

"Even if I give a chance, you’ll fumble me."

She says even opportunity would be wasted on him.

Dominance

"I eat men like you alive and I’m hungry."

A dominant closer.

Dominance

"This little man would be a light lunch for me."

A clean final punch. MISSINK ends by making GRAMS look small and easy to finish.

Judgement Summary

Archive Judgement: MISSINK

Archive result: MISSINK wins. Archive score: MISSINK 3-0 GRAMS. Round split: Round 1: MISSINK Round 2: MISSINK Round 3: MISSINK Reason: GRAMS has charisma and some strong awkward chemistry in round one, but MISSINK is clearer, sharper and more consistent across all three rounds. GRAMS’ third-round stumble removes any serious debate, while MISSINK closes with her strongest round. Performance Grades: MISSINK: A- GRAMS: C Reload note: MISSINK produces more clean reaction moments across the battle, while GRAMS’ best reaction comes early before the performance fades.

Battle Stats

Date24-03-2025
Views176K
LeagueSeason 2025